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Playing Outside: The Dominant 7 Pentatonic Scale Pattern 13

By on July 30, 2007 in Music Theory, Peak Performance

Table of contents for Playing Outside: The Dominant 7 Pentatonic Scale

  1. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 1
  2. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 2
  3. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 3
  4. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 4
  5. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 5
  6. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 6
  7. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 7
  8. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 8
  9. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 9
  10. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 10
  11. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 11
  12. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 12
  13. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 13
  14. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 14

This pattern is almost the exact opposite of the previous dominant 7 pentatonic pattern. Every other note is transposed into the “outside key” but this pattern begins in the outside key and is only two beats.
Pentatonic Pattern 13

Download the full pattern:
Playing Outside: The Dominant 7 Pentatonic Scale Pattern 13

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