Navigation

Playing Outside: The Dominant 7 Pentatonic Scale Pattern 11

By on July 10, 2007 in Music Theory, Peak Performance

Table of contents for Playing Outside: The Dominant 7 Pentatonic Scale

  1. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 1
  2. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 2
  3. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 3
  4. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 4
  5. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 5
  6. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 6
  7. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 7
  8. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 8
  9. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 9
  10. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 10
  11. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 11
  12. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 12
  13. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 13
  14. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 14

The primary purpose of this dominant 7 pentatonic pattern is to force you to transpose keys a number of times during the bar. If you keep your wits about you as you play this pattern and don’t just memorize it without giving it any thought, you’ll start to become extremely comfortable moving between two keys at will. This pattern changes keys 5 times within a single bar.
Pentatonic Pattern 11

Download the full pattern:
Playing Outside: The Dominant 7 Pentatonic Scale Pattern 11

Previous in series Next in series

, , , , , , , , , , , , , ,

Comments are closed.