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Playing Outside: The Dominant 7 Pentatonic Scale Pattern 12

By on July 27, 2007 in Music Theory, Peak Performance

Table of contents for Playing Outside: The Dominant 7 Pentatonic Scale

  1. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 1
  2. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 2
  3. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 3
  4. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 4
  5. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 5
  6. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 6
  7. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 7
  8. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 8
  9. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 9
  10. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 10
  11. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 11
  12. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 12
  13. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 13
  14. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 14

This dominant 7 pentatonic pattern is super squiggly. Every other note is transposed into the “outside key” for superior in-the-moment transposition skills.
Pentatonic Pattern 12

As always, don’t just memorize this pattern technically. After you have your technique down and can play it relatively fast, focus on your mind and how it understands the theory logically as you play.

Download the full pattern:
Playing Outside: The Dominant 7 Pentatonic Scale Pattern 12

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  1. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 13 » The Graham English Blog - July 30, 2007

    […] « Playing Outside: The Dominant 7 Pentatonic Scale Pattern 12 […]
  2. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 14 » The Graham English Blog - August 3, 2007

    […] this pattern is the exact opposite of the twelfth dominant 7 pentatonic scale pattern. Every other note is transposed into the “outside key” but this pattern begins in the […]
  3. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 14 by Graham English - December 9, 2007

    […] this pattern is the exact opposite of the twelfth dominant 7 pentatonic scale pattern. Every other note is transposed into the “outside key” but this pattern begins in the […]
  4. Playing Outside: The Dominant 7 Pentatonic Scale Pattern 13 by Graham English - December 9, 2007

    […] pattern is almost the exact opposite of the previous dominant 7 pentatonic pattern. Every other note is transposed into the “outside key” but this pattern begins in the […]